AI-generated films enter China’s mainstream awards through new AIGC unit_我的网站
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The 38th Hundred Flowers Awards ceremony is held in Beijing on August 10, 2026. Photo: VCGWhen the 38th Hundred Flowers Awards, one of China's three major film awards, concluded in Beijing on Tuesday, AI emerged as one of the event's new participants, alongside the stars on the red carpet and filmmakers receiving honors. For the first time in the 64-year history of the awards, this year's edition introduced an AI-generated content (AIGC) recommendation unit, giving AI-generated films a new pathway into a major film award platform. The move reflects a broader shift in the relationship between technology and cinema. Rather than replacing filmmakers, AI is increasingly seen as a creative tool that lowers production barriers, expands visual possibilities and allows more people to turn ideas into films, Zhang Peng, an associate professor at Nanjing Normal University, told the Global Times. The AIGC recommendation unit, launched on June 30, attracted 2,038 entries from around the world in just over a month. After evaluation, six productions received the "Hundred Flowers AIGC Recommendation Honor," covering categories including animation, visual effects, technology, creativity, directing and short films. For many young filmmakers, AI has opened a new path into the industry. Multiple award-winning creators said at a seminar on the sidelines of the Hundred Flowers Awards that AI tools such as Jimeng and the Seedance model helped them with visual development, shot design, dubbing and maintaining emotional continuity. Zhang Bohang, a representative of the team behind Yi Meng (A Dream), which won the award for Best Animated Work, said at the seminar that animation had long been a dream for the team, but high production costs had previously made it difficult to bring that dream to life. "The emergence of AI has given us a way to make our dreams come true," he said. Lu Qiwei, a representative of the creative team behind Yecha Crossing the River, which won the Best Creative Work award, said at the seminar that Seedance allows creators to input characters, scenes, visual styles and directorial ideas, then select and organize the generated material themselves. However, filmmakers at the event also emphasized that AI does not replace human creativity. Director Liu Shuheng, whose work Out of Control received recognition, said AI had lowered the threshold for creating visual images while raising the expectations for creators' decisions. "AI makes it easier to create a picture, but it also makes people think more about why they choose to shoot it this way," Liu said at the seminar. The shift is not limited to AI-powered filmmaking. The awards are also expanding recognition for emerging forms of storytelling. The 38th Hundred Flowers Awards also introduced a new short-drama recognition section, marking the first time the awards had recognized short dramas. It marked the first time the awards had included short dramas in their recognition system, organizers said. AI also featured prominently in the event's audience experience. Global Times reporters observed interactive installations that allowed audiences and celebrities to generate personalized digital keepsake photos, while AI was also used during the red-carpet livestream to provide real-time commentary, answer viewer questions and enhance visual backgrounds. The Hundred Flowers Awards' embrace of AIGC comes as major Chinese film festivals increasingly explore AI's role in cinema. Since its launch in 2024, the Beijing International Film Festival's AIGC Film Section has been the first dedicated section at a major film festival worldwide to focus on AI-powered image-making. Meanwhile, the Shanghai International Film Festival this year has launched a new "AI Studio" section, aiming to create the first experimental platform dedicated to exploring AI-assisted collaboration in film production. From competition entries to audience experiences, these developments suggest that AI is no longer just a behind-the-scenes production tool, said Zhang. "AI is gradually moving beyond being a filmmaking tool and becoming part of the broader film festival ecosystem," Zhang noted. "From AI-generated films to short dramas, the move also shows how China's mainstream film platforms are embracing emerging formats and recognizing new forms of storytelling." 。
北京时间3月26日，撕裂之城混音队客场对阵奥斯汀马刺队，杨瀚森再度被下放到发展联盟征战。
B | 杨瀚森首次9中9弹无虚发，其中三分2中2，贡献20分9篮板5助攻1抢断1盖帽，难阻最终撕裂之城混音队93-99输给奥斯汀马刺队，NBA官方赛后晒海报盛赞杨瀚森表现。
C | 数据统计混音队：杨瀚森20分9板5助、扬布拉德15分5板2助、库克14分4板9助、杰伦·马丁12分4板1助、肯特9分4板4助2断、里斯8分7板。
D | 快船队：曼加斯26分3板1助、杰登·纳恩15分1板2助、英格拉姆12分13板3助2帽、米勒11分5板3助2断3帽、乌姆德10分6板2助。
E | 本场之星杨瀚森此前在发展联盟背靠背贡献两双数据，随后被开拓者召回去，在对阵篮网的比赛出场9分钟2中2得到4分3篮板。
F | 如今杨瀚森再度被下放到发展联盟比赛，面对与奥斯汀马刺队的比赛，杨瀚森上半场6中6得到14+6+3+1+1的全能数据，其中外线命中两记三分。
G | 下半场杨瀚森保持百分百准星，全场9中9得到20+9+5依然输球。
H | 比赛回顾本场混音队客场对阵马刺队，首节开局杨瀚森接库克妙传外线三分命中，混音队率先取得5-2领先。马刺队一波9-0攻势反超比分，杨瀚森助攻帕克折叠上篮命中，马刺队连得4分。杨瀚森挡拆顺下突破打板上篮造成对手干扰球，库克连中两记三分与卡尔抛射反超2分，杨瀚森被换下场休息。
I | 马刺队一波9-0攻势夺回领先，首节结束混音队17-24落后马刺队，杨瀚森7分24秒2中2得到5分3篮板1助攻1抢断。次节比赛，杨瀚森内线抛射命中，马刺队内外开花扩大8分优势，混音队内外开花打出7-2攻势追到31-31，其中杨瀚森抛射与三分连得5分。
J | 双方之后对攻两记三分，杨瀚森下场休息，曼加斯再中三分，双方之后持续紧咬比分。
K | 杨瀚森再度登场勾手命中，肯特压哨两分命中，混音队单节32-26净胜6分，上半场结束混音队追到49-50落后马刺队。前两节比赛，杨瀚森6中6（其中三分2中2）得到14分6篮板3助攻1抢断1盖帽表现出色。易边再战，混音队连续两节单节得分30+，且限制马刺队连续三节不足30分。双方连续紧咬比分拉锯战缠斗，杨瀚森接球顺下完成抛射命中取得60-59领先，马刺队连得4分反超。肯特三分命中，双方之后继续展开缠斗，杨瀚森随后没有获得进攻投篮机会。混音队单节32-25净胜7分，三节结束混音队81-75反超马刺队，前三节杨瀚森23分55秒7中7得到16+7+5+1+1数据。进入第四节比赛，混音队进攻火力大幅下滑，杨瀚森率先内线命中扩大8分优势，马刺队连追5分。杨瀚森隔扣班克斯维持5分优势，马刺队一波6-2攻势追到差1分，罗宾斯三分回敬。马刺队一波9-2攻势反超3分，杨瀚森重新被换上场，杨瀚森造犯规罚球不中，双方随后接连罚球得分，马刺队继续扩大领先优势，最终混音队93-99输给马刺队。双方首发混音队：杨瀚森、扬布拉德、库克、里斯、肯特马刺队：米勒、英格拉姆、班克斯、弗拉格勒、曼加斯（文/醉卧浮生）
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